Harley Benton HB-35Plus Cherry

W tej cenie nie ma lepszej gitary tego typu.
Moj egzemplarz nadawal sie do gry prosto z pudelka, nie bylo zadnych problemow z ustawieniem, krzywymi progami, czy innych.
Gryf jest bardzo przyjemny, dosc szybki i chyba ma profil 13.88 a nie 12". Tak czy inaczej gra sie bardzo wygodnie, wykonczenie gryfu jest wiecej niz poprawne, zeby nie powiedziec : za ta cene jest idealne.
Dzwiek jest swietny, przystawki sa naprawde dobre i mozna na nich spokojnie nagrywac, lekka korekcja EQ poradzi sobie z jakimis niedociagnieciami.
Oczywiscie jest kilka rzeczy, ktore moga byc irytujace, ale w takiej cenie cudow nie bedzie:
- klucze: sa niestety slabe, moze i dobrze trzymaja stroj ale potrafia sie nieprzyjemnie slizgac podczas strojenia i nie sa "pewne" w dotyku
- material z ktorego wykonano wierzch instrumentu jest poprawny, ale ja nie nazwalbym go "AAAA" lub "wysokiej klasy",
- lakier jest dobrze polozony, ale bardzo oszczednie,

w efekcie instrument brzmi swietnie, genialnie latwo sie na nim gra, wyglada dobrze i estetycznie, ale ... tanio. Jezeli komus przeszkadza wyglad, to niech kupi co innego , np ES-335 za 10 razy tyle:)

To begin with - fretboard radius is 14” not 12” !!! Description mistake …
Considering Thomann’s well known professionalism and resources I would expect much better setup.
Fretwork - 5 frets high and had to be leveled. Some more spot leveling and pressing loose ands. Fret polishing absolutely required, fret ends bit too sharp.
Pots and switch work ok. Tone pots have nice “oily “ turn, Vol pots turn fast not so nice.
Alnico 2 pickups would improve sound. Rosewell makes them too I suppose. Cannot tell about waxing.
The flame top definitely not a triple A. Still nice and clean bookmarked.
I would recommend to improve tuning machines as mine do not work smooth.
Nut 42 mm required bit od filing especially G and D slots angle.
Overall - go for it if you are not afraid of more advanced setup. You can find all tutorials at Thomann’s videos.
Always wanted sweet ES style guitar and there it is, although after a weekend with tools :) previous DIY experience paid off just fine.

Ok, I waited for a while before this review and now i can make a more accurate assessment of this guitar. First thing’s first. I should say right off that i am enjoying this guitar far beyond my expectations.
The scratchplate was flawless, but my HB-35 is probably from a newer batch. (The sratchplate is an LP style, not the rounded one usually found 335’s).
The “Flamed” maple IS there, but it is almost imperceptible on my cherry HB-35. Maybe the finish is just to thick, i don’t know, on the other hand the guitar still looks amazing and this could be a plus on durability.
The neck is made of three different pieces of wood, (Headstock with a neck scarf and two pieces on the neck joint).
Electronics are fine. The push pulls and the three way switch feel much better than i had expected beforehand, and the roswell pickups are a wonderful surprise on warmth and clarity, (mainly given the fact that the whole guitar costed only 195€). I actually liked the pickups a lot and i was really not expecting that to happen.
On other reviews that i've read some people liked the fact that the jack input was located on the bottom of the lower bout and not on the top, but on my case the was actually a problem. I use a Shure wireless and the even with the bodypack on the bottom of the strap the longest shore cable is difficult to reach the input jack, (the reach wouldn't be a problem if the input jack was located in a more traditional place).
The hardware is kind of what you would find on your average epiphone, and i only had an issue with the TOM bridge. Nothing about the material, but more about where it was installed. I had to reverse 4 saddles in order to get intonation accurate above the 14th fret.
On the other hand, after this saddle adjustment i was actually able to lower the action a LOT and the neck and build quality allowed it to happen.
Although i had to do a totally new setup in order to make the guitar fully usable until the 22nd fret, please don’t get me wrong, the guitar sounded amazing in the lower octave just out of the box, (factory strings and all). Can't really criticisethe nut, it's well cut and looks ok.
After a wonderfull week playing it I decided that this guitar would be used in gigs side by side with gibsons and other much more expensive brand guitars so i ordered some greenish keystones shallers with double rings. The ones that came from factory held tuning ok-ish, but these new ones work flawlessly. The other only upgrade the guitar got was a gibson 498T pickup installed in the bridge. Again this was not because the roswelll bridge LAF PU didn't sound right, it was just because on the set i’m doing for the moment, this is what I need in order for this guitar to fit in without having to make any adjustments on my rig.
In terms of size, the body of the HB-35 is between a 339 and a 335… for me is just perfect. Not to big as a 335, not to small as 339.
Cons…, yes there where a few, mostly in terms of setup, but nothing that i had not found before on epiphones or even gibsons. All in all I’ve upgraded the HB-35 spending additional 140€ and I didn’t had to spend any money on a luthier because i can do everything myself. (beside the pu and the tuners i changed strings to 9’s, oiled the fretboard, polished the frets and lubbed the nut with big bends nut sauce. Anyway i’m really glad I did these upgrades because with about 410€, (including the suitable hardcase), i have an instrument that fulfils the job of some of my other guitars that costed between 1000 and 5k, and that is simply amazing. (i think semi-hollowbody epi’s are more expensive and i don’t like their pu’s).
From a reference standpoint i should state that I perform professionally mostly in auditoriums, and this guitar performs as good any other instrument costing 5 to 10 times more.
When i ordered this guitar i thought i was ordering a “335” style guitar… i’ve even upgraded the tuners to copy the look and vibe of the vintage dot gibsons. Well, after this experience, and in my mind this guitar is something of it’s own, it looks great and feels and sounds amazing. It’s not some 335 knock off anymore and i’m proud showing off this HB headstock on stage because the guitar has an amazing tone.
p.s. I only went trough the trouble of writing this review because i can still not believe how much value for money the instrument represents even without the upgrades that I had made, so i cannot recommend this enough to any beginner or seasoned guitar player.

The guitar arrived well packed with double boxing to prevent damage (a good start there then..)

Neck: The neck is straight and well finished with no fret sprout or sharp edges (a real bonus at this price point as opposed to Epiphone for instance, who don't seem to give a jot for customers cutting their hands on badly finished and sprouting frets)

Frets: The fourth fret is slightly high (I will get my luthier to sort it out when I put it in for servicing in six months or so, in the meantime I've raised the action by a bit so it's not a major problem to me)

The fretboard had on delievery a lovely coating of dirty buffing compound which is of course sub-optimal, but the compound was removed by the lemon oil I used to bring the fretboard back to life (prior to this the fretboard looked dry and dusty and made my fingers dirty with buffing compound and the residue from the frets when they were (not very well) polished, but 5 minutes with a dremel with a small buffing wheel affixed cured that during the string change.

The dot markers down the edge of the fretboard are very uneven some touching the binding others 2 or 3 mm clear of the binding (quality control problem?)

Machine heads: Really good, they are smooth and hold tune (so far at least)

Body: A smashing veneer on the top and well made, unfortunately the person who screwed the scratch plate on needed a second go at screwing it on (leaving an unsightly two holes where I've removed the scratch plate, instead of the normal one),

The finish on the body and neck is however of really good quality.

Hardware:The pickup spacing doesn't match the stringing , the strings line up with the pole pieces on the bass side but on the treble side the pole pieces are 3 or 4 mm out of line (the neck would accept the pickup's pole spacing just that the stings were set too far inboard (quality control problem?), Setting the strings outboard a couple of millimetres on each side would have averted this problem as it stands where the treble side of the sound is slightly weak (due to the misalignment of the string relative to the pole pieces)

The bridge is of abysmal quality, the bridge would not drop as it should because of poor manufacture/finishing, however 10 minutes with a file and putting a little grease on the threads has alleviated the problem (I shall be buying a replacement bridge at some time but for now it's working and I'm counting my blessings there).

The intonation was a little off as delivered, but as I have removed the standard 10s and replaced them with 9s it needed to be reset anyway.

Volume and Tone controls, the volume controls are as they should be, but the tone controls have a very uneven gradation of tone, reducing treble by very little at first but a big drop in treble on the last 10-15 degrees of rotation (maybe using pots with an audio taper would fix this?)

The pickup heights were far from optimal as setup, the neck pickup was about 3mm from the strings, and at the bridge pickup about 8mm, which resulted in a lower level from the bridge pickup, on adjustment the pickups now have far more equal output.

All in all it's a really nice guitar marred by some really slapdash mistakes, the coil taps making far more tones available than can be got by non-tapped humbuckers alone, making it far more versatile guitar than for instance an Epiphone Dot.

It might seem slightly churlish to look this closely at an instrument that costs under 200 Euros but if the setup and production was as it was supposed to be, this guitar would constitute an absolute bargain, as it is, it's a good guitar for the money and a hundred odd pounds spent on a luthier sorting the frets and giving it a proper set-up will make it favourably comparable with guitars costing 3, 4 or even 5 times the price.

TLDR A good guitar with a few small production issues that need to be sorted to make is a great and very usable guitar.

NOTA BENE: However I have to mention that Thomann's choice of couriers is far from the best, UPS are absolutely dire when it comes to customer support, they don't do proper tracking (UNLESS you pay UPS extra for tracking info, the best they can do is state it'll be arriving on such and such date, personally I'd prefer Thomann use DPD who give full tracking info at no extra cost and give an hour's slot when the item will be delivered *as standard*, and if you do phone DPD for information they don't complain at the customer for wanting to know when goods will be delivered like it's a major inconvenience to them as UPS do...
Take note UPS, crappy service with no tracking available means you'll lose the gig if Thomann decide their customers are more important than a second rate courier service that demonstrably doesn't function well outside of the United States