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Sandberg California II SL TM4 BKB

1

Electric Bass

  • Thomann 70th Anniversary model
  • Body: Paulownia
  • Neck: roasted maple
  • Fingerboard: roasted maple
  • Fingerboard inlays: black dot
  • Scale: 34"
  • Pickups: Häussel TM J-Style single coil and MM-Style humbucker
  • Sandberg 2-band EQ
  • Black 3-ply pickguard
  • Black Sandberg hardware
  • Colour: Blackburst matte
  • Includes gig bag
Produkt dostępny od Kwiecień 2024
Numer artykułu 575785
Jednostka sprzedaży 1 szt.
Colour Black Burst
Soundboard Paulownia
Neck Caramelized Maple
Fretboard Roasted Maple
Frets 22
Scale Longscale
Pickup System JH
Elektronic Aktive, Passive
Incl. Case No
Incl. Gigbag Yes
Pickups JH
Incl. Bag 1
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8 899 zł
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5 / 5

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1 Opinia

google translate gb
Wystąpił błąd. Proszę spróbować później.
K
Sounds *wow*
Kawaiieg 28.10.2024
Came set up straight out of the box, feels great and the sound is really, really good. I was surprised to learn that the mini-switch on the control plate isn't for active/passive (that's done on the push-pull volume knob) but a split for the humbucker - It's listed in the specs I just missed it so that's a pleasant surprise - that means you get an impressive range of tonal possibility, including a proper sounding J-bass scoopy growl with the split humbucker and neck pickup blended 50/50 and the solo'ed humbucker which sounds more like a stingray than my EBMM stingray.

I love that there's no volume jump when switching between active/passive - this is something all brands should implement.
Also it is VERY light. I know it's in the name and Sanberg have a whole line of these but I wasn't expecting it to be this lightweight. This isn't bad at all but feels a little different, especially when switching between it and other basses.

Two things I was not amazed by but don't hurt the 5-star overall:
- the treble boost is noisy when boosted. Like you get a healthy amount of hiss without having to crank it all the way. Thankfully the source from the pickups is clear and crisp enough that I didn't find myself needing to boost the onboard highs too much, rather shaping the sound via pedals/amp EQ gave me good results.
- Passive tone control: When you switch to passive mode, the treble knob (cut only, so from the middle and down) serves as a tone rolloff - I would have appreciated a more gradual curve for that; You're already starting with half of the knob's travel range and the vast majority of the difference in tone happens in the final micro-turns near the end. Also I would have liked the maximum rolloff to go a little lower than it currently goes. To compare to my Sire P8 - when I roll off the passive tone on that one I get a very smooth and clean subby texture and the Sandberg rolled off all the way kind of sounds like a fender P with the tone knob at 25% - so if I need a super low sound like that I would involve pedals/EQ on the amp.
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