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although it is a loud mic - it might pick too much from the around environment, it produces a very neat and clear sound. I'm happy with it, and remember to buy the adaptor if you want to use it in a standard xlr ore amp : AKG MPA VL MALE
I'm using this mic for acted-singed show , and actors can't stand in front of microphone stand, or hold microphone in their hands. If that was not a case, I would instantly use another mic like sm58 or e835 as those sound better.
Low end response is exceptionaly good and extended providing "larger than life" sound quality, but you have to watch out for distance from mouth, and you can't have control over that with actors running all over the stage. If mic is to close to mouth, nasty low-mid artefacts come into play, and you have to have hands on eq all the time.
Being a condenser mic hi-end is good, and regardles of that, you can cranck it faily loud before feedback even comes to play or becomes an issue.
I'm using this mic for acted-singed show , and actors can't stand in front of microphone stand, or hold microphone in their hands. If that was not a case, I would instantly use another mic like sm58 or e835 as those sound better.
Low end response is exceptionaly good and extended providing "larger than life" sound quality, but you have to watch out for
I'm using this mic for acted-singed show , and actors can't stand in front of microphone stand, or hold microphone in their hands. If that was not a case, I would instantly use another mic like sm58 or e835 as those sound better.
Low end response is exceptionaly good and extended providing "larger than life" sound quality, but you have to watch out for distance from mouth, and you can't have control over that with actors running all over the stage. If mic is to close to mouth, nasty low-mid artefacts come into play, and you have to have hands on eq all the time.
Being a condenser mic hi-end is good, and regardles of that, you can cranck it faily loud before feedback even comes to play or becomes an issue.
