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Behringer X32

647

32-kanałowa cyfrowa konsoleta mikserska z 16 szynami

  • 32 wejść XLR Mic/Line
  • 8 x stereo FX Return
  • 16 szyn miksujących
  • 6 szyn Matrix wyposażonych w inserty
  • 6 grup Mute
  • 8 grup DCA
  • 16 wyjść XLR
  • 6 wejść Aux In: wtyczka jack 6,3 mm (do wyboru 2 przez Cinch)
  • 6 wyjść Aux Out: wtyczka jack 6,3 mm (do wyboru 2 przez Cinch)
  • Cyfrowe wyjście stereo AES/EBU
  • 2 wyjścia na słuchawki: wtyczka jack 6,3 mm
  • Stereofoniczne wyjście monitora / pomieszczenia kontrolnego z funkcją przyciemniania i mono
  • Interfejs USB Audio 32in/32out
  • Zmotoryzowane suwaki 100 mm
  • Kolorowy wyświetlacz TFT 7"
  • Wyświetlacz LCD na każdym kanale
  • 4-pasmowy pełnoparametryczny EQ na każdy kanał
  • Regulowane opóźnienia na wszystkich kanałach
  • Wirtualny Rack efektów z 8 wejściami FX
  • Wbudowany rejestrator stereo USB
  • Zdalnie sterowany poprzez USB lub Ethernet
  • Kompatybilny z Personal Monitoring System Behringer P-16
  • Pełna implementacja MIDI
  • Wymiary (sz. x gł. x wy.): 900 x 550 x 230 mm
  • Waga: 20,0 kg
  • Odpowiednia karta rozszerzeń: SD Record art. 448412 (nie jest częścią oferty)
  • Odpowiedni futerał art. 281791 (nie jest częścią oferty)
  • Odpowiedni pokrowiec art. 487523 (nie jest częścią oferty)
Produkt dostępny od Sierpień 2012
Numer artykułu 259395
Jednostka sprzedaży 1 szt.
User Interface Physical/remote
Number of faders 25
DSP Input channels 32
Mic Preamp 32
Physical outputs 22
Digital stagebox connection AES50
Hotspot No
Multitrack Record Yes
integratated Player/Rec via USB/SD stereo
19" Rackmount No
Max.number of input channels 32
Microphone Inputs 32
Analog Line Inputs 32
Analog Line Outputs 16
DSP Output Channels 24
Analog in/ out with plug-in card expandable 1
Busses 16
Digital Inputs None
Mono-Line Input 6
Digital Outputs AES
Stereo-Line Input 0
Digital in-/ outputs expandable 1
Motorfader 1
Ethernet Ethernet
Computer interface USB, Ethernet
MIDI-interface 1
Special Features Compatible with BEHRINGER P-16 Personal Monitoring System, 32 in / 32 out FW Interface
Soundcard interface USB-B
Recorder Format WAV
Scribble Strips 1
RTA Yes
FX Processor 8
31 Band EQ 8
Delay Input 1
Delay Output 1
Matrix 6
DCA/VCA Groups 8
Midi Connector Midi-Din
Sample rate 48 kHz
Monitor Apps 1
Separate Personal Monitor system Optional
Expansion Card slots 1
Digital ADAT Optional
Digital SPDIF No
Digital AES3/ASESEB Yes
Digital MADI Optional
Digital Dante Optional
110V capable 1
Case Included
Height 200 mm
Width 900 mm
Depth 528 mm
Weight 20,6 kg
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8 599 zł
Ceny z podatkiem VAT
Dostępny w magazynie
1
Dostawa standardowa
Bezpłatna

Oczekiwany między Śr.., 2.04. en Czw.., 3.04..

84
Odwiedzający
przyglądają się temu produktowi
16
Ranking sprzedaży
w Miksery Cyfrowe

647 Oceny klientów

4.8 / 5
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308 Opinie

K
Genialny stół
Kira_shi 27.01.2025
Wiele możliwości, genialne brzmienie to co oferuje za swoją cenę jest nie porównywalne do innych
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A
Polecam
Anonimowy 29.03.2016
Uzywam w klubie przy koncertach. Realizatorzy lubia ten mikser. Daje duzo mozliwo?ci.


+posiada wszystko co potrzebne
+sterowanie z Ipada
+cena

-brak
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G
Gdaron 26.11.2024
Świetny stosunek jakości do ceny
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google translate gb
Wystąpił błąd. Proszę spróbować później.
M
Review X32
Moggy624 13.06.2013
I was impressed with this board for its spec. and price, and the fact that it could run on Cat 5 to a stage box. The fact that Midas had also helped in the design of the pre amps and the manufacturing process was another plus. So it was bought together with the S16 and the flightcase (Also reviewed).

We mainly use the X32 at different venues for musical theatre so the extra channels (32) were a plus over the Presonus 24.4.2 (24) which we previously used and still own. I had considered buying another X32 to provide us with 64 channels for the large shows we do with Orchestras. We currently feed that into the Presonus which is used alongside the X32.

I tried to use the X32 for a multi track recording of our latest show, but the software (Studio One 2 Pro on a Mac Book Pro) stated that the external hard drive I was recording too was not fast enough to record all 32 tracks. I changed to 24 tracks but still got the error. However, you can get an instant 2 channels mix using the inbuilt recorder. There is also the facility to play back wav files via a USB stick but I would like to see that further expanded to allow playlist to be set up to auto play or play a playlist rather than one track at a time.

I hadn't experienced the lag on the same external hard drive (Toshiba PA4144E-1HB5) with the Presonus 24.4.2 using their software "Capture", So it may well be I'll have to wait till the hard drives using "Thunderbolt" become cheaper.

The Midas pre amps have a nice analogue sound to them when compared with the Presonus 24.4.2 which can sometimes sound "hard" and "crisp".

I've found the X32 FX's to be varied and well thought out and the re-verbs on vocals are really nice. If you own the "Waves plug ins" there is also a way to use them through the board using a DAW. (See YouTube)

The DCA#s are great for controlling groups of faders and if set up correctly can minimise the need to keep changing to other layers.

I loved using the mixer when it was working, unfortunately, my board has developed a fault after approx 21 shows, (Outputs 1 to 8 are not outputting any sound). It's not a major problem for me at the moment as we can use the outputs 9 to 16, but for more complicated sets ups this is going to be a problem).

So it will be a call the Thomann tomorrow to test how good their support is. (I may report what happens in a later post)

The fact that it has a 3 year warranty was a plus point when buying it considering Behringer's past reputation for quality and poor support.

The Behringer web site community forum is very helpful for anyone using the board and there is plenty of help if needed and there are plenty of YouTube tutorials to get you started. (Check out Drew Brashler KD7QCU on YouTube he's a wiz and explains his tutorials in easy terms).

The fact that you can control the board by Ipad or computer is a plus point, I was able to feed the fold back monitors which on stage. This is also helpful when listening to your mix from different areas of the Theatre as some venues don't have the sound booth in the central position.
I was impressed with this board for its spec. and price, and the fact that it could run on Cat 5 to a stage box. The fact that Midas had also helped in the design of the pre amps and the manufacturing process was another plus. So it was bought together with the S16 and the flightcase (Also reviewed).

We mainly use the X32 at different venues for musical
I was impressed with this board for its spec. and price, and the fact that it could run on Cat 5 to a stage box. The fact that Midas had also helped in the design of the pre amps and the manufacturing process was another plus. So it was bought together with the S16 and the flightcase (Also reviewed).

We mainly use the X32 at different venues for musical theatre so the extra channels (32) were a plus over the Presonus 24.4.2 (24) which we previously used and still own. I had considered buying another X32 to provide us with 64 channels for the large shows we do with Orchestras. We currently feed that into the Presonus which is used alongside the X32.

I tried to use the X32 for a multi track recording of our latest show, but the software (Studio One 2 Pro on a Mac Book Pro) stated that the external hard drive I was recording too was not fast enough to record all 32 tracks. I changed to 24 tracks but still got the error. However, you can get an instant 2 channels mix using the inbuilt recorder. There is also the facility to play back wav files via a USB stick but I would like to see that further expanded to allow playlist to be set up to auto play or play a playlist rather than one track at a time.

I hadn't experienced the lag on the same external hard drive (Toshiba PA4144E-1HB5) with the Presonus 24.4.2 using their software "Capture", So it may well be I'll have to wait till the hard drives using "Thunderbolt" become cheaper.

The Midas pre amps have a nice analogue sound to them when compared with the Presonus 24.4.2 which can sometimes sound "hard" and "crisp".

I've found the X32 FX's to be varied and well thought out and the re-verbs on vocals are really nice. If you own the "Waves plug ins" there is also a way to use them through the board using a DAW. (See YouTube)

The DCA#s are great for controlling groups of faders and if set up correctly can minimise the need to keep changing to other layers.

I loved using the mixer when it was working, unfortunately, my board has developed a fault after approx 21 shows, (Outputs 1 to 8 are not outputting any sound). It's not a major problem for me at the moment as we can use the outputs 9 to 16, but for more complicated sets ups this is going to be a problem).

So it will be a call the Thomann tomorrow to test how good their support is. (I may report what happens in a later post)

The fact that it has a 3 year warranty was a plus point when buying it considering Behringer's past reputation for quality and poor support.

The Behringer web site community forum is very helpful for anyone using the board and there is plenty of help if needed and there are plenty of YouTube tutorials to get you started. (Check out Drew Brashler KD7QCU on YouTube he's a wiz and explains his tutorials in easy terms).

The fact that you can control the board by Ipad or computer is a plus point, I was able to feed the fold back monitors which on stage. This is also helpful when listening to your mix from different areas of the Theatre as some venues don't have the sound booth in the central position.
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