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do odtwarzania 3G-SDI i HDMI za pośrednictwem laptopów lub komputerów stacjonarnych wyposażonych w Thunderbolt 3
Obsługuje profesjonalne monitorowanie SDI i HDMI w 10-bitowej jakości nadawanego materiału z popularnego oprogramowania do edycji, takiego jak DaVinci Resolve, Final Cut Pro X, Media Composer i Adobe Premiere Pro CC, a także najwyższej klasy systemy grafiki telewizyjnej i tworzenia napisów
Wyjścia wideo SDI: 1x SDI-Raten 270 Mbit, 1,5G, 3G
Wyjścia audio SDI: 16x kanałów wbudowanych w SD i HD
Wyjścia wideo HDMI: 1x
Wyjścia audio SDI: 8 kanałów wbudowanych w SD i HD
Interfejs komputera: Thunderbolt 3 (Mac OS, Windows und Linux)
Obsługiwane kodeki: AVC-Intra, AVCHD, Canon XF MPEG2,, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, HEVC, XDCAM EX, XDCAM HD, XDCAM HD422, DNxHR & DNxHD, Apple ProRes 4444, Apple ProRes 422 HQ,, Apple ProRes 422, Apple ProRes 422 LT, Apple ProRes 422 Proxy, nieskompresowany 8-bitowy 4:2:2, nieskompresowany 10-bitowy 4:2:2, nieskompresowany 10-bitowy 4:4:4
Dołączone oprogramowanie: Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility i sterowniki Blackmagic dla systemów Mac OS i Windows. - Media Express, Blackmagic Desktop Video Utility i sterowniki Blackmagic dla systemu Linux
Obsługiwane aplikacje oprogramowania: DaVinci Resolve, Fusion, Final Cut Pro X, Adobe Premiere Pro CC, Adobe After Effects CC, Adobe Photoshop CC, Adobe Character Animator CC, Avid Media Composer, Avid Pro Tools, Steinberg Cubase, Steinberg Nuendo, The Foundry Nuke, Sony Catalyst Production Suite, Tools On Air Just: Play & Live, Magix Movie Edit Pro Premium, Corel VideoStudio Pro, CyberLink PowerDirector, Grass Valley Edius, Softron Mreplay, Telestream Wirecast, Livestream Studio, Resolume Arena, Vegas Creative Software Vegas Pro, VidblasterX Studio and Broadcast, Unimedia Technologies UniplayOne und Uniplay-CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, DevTek Easy Media Suite, Boinx Software MimoLive, StudioCoast vMix, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard oraz CoralCG, Open Broadcaster Software Studio, Nautilus Studio Nemo3D, Burst Video Webclip2Go, Derivative TouchDesigner, Assimilate Scratch oraz Live Assist, NewBlue Title Live oraz Titler Pro, SGO Mistika
Standardy wideo SDI - SD: 525i/59,94 NTSC, 625i/50 PAL
Informacja: Aby opinie na temat sprzętu umieszczane na naszej stronie pochodziły jedynie od osób mających styczność z danym artykułem, umożliwiamy wystawianie ocen jedynie naszym klientom.
Opinie można wystawiać po zalogowaniu się w centrum klienta, używając opcji "wystaw opinię".
Works really well for 1080p (including HDR) in Davinci Resolve. Not so great if your timeline is above that.
Joanna Adeele 14.04.2024
When I first got it, I figured it would work great for 4K timelines – that it would simply downscale it upon output without requiring project settings to be anything special.
I was a bit concerned at first when I connected it up to a Mac running Resolve, that it was doing a centre crop of all footage. This was due to the fact that my timeline was 4K.
Whilst downscaling was not an advertised feature of this, one would expect it to work that way as getting a centre crop of your timeline (or source footage) is not very useful, and I was ready to return it.
However, Resolve allows you to configure Output and Monitoring settings separately from Timeline resolution. Whilst I was not able to fix it by changing Monitoring settings, it does downscale the footage and display correctly when you change output to 1080p.
This gets quite annoying when your deliverable is above 1080p, as you need to manually toggle back the resolution of Output in Timeline Settings.
The build quality of the device is great – just like other BlackMagic devices with a similar form factor.
You will also need to provide your own Thunderbolt 3 or 4 cable to connect it up to your computer – one is not provided. This tends to be expected with BlackMagic gear, as none of my other Blackmagic products came with either Thunderbolt nor USB-C cabling.
This was fine, I already had a couple of Thunderbolt cables lying around, but it *is* an extra expense that you will need to take into account if on a shoestring budget.
Note: My grading display takes in HDMI, I do not know whether the downscale/settings issue is any different for SDI, though I have no reason to think it would be. Additionally, I only tried this on Resolve Studio 18.x versions, I do not know about 19 Beta which is out at time of writing nor about non-Studio version of Resolve nor any other supported NLE.
Conclusion: this is great - as long as your Timeline is 1080p or you are fine toggling Timeline settings in Resolve down to 1080p.
It would be a 5/5 product, but it loses one star for this issue, as well as for needing to restart Resolve to get it working after connecting it up and selecting it as the output device (and also the minor issue of the lack of cable provided).
When I first got it, I figured it would work great for 4K timelines – that it would simply downscale it upon output without requiring project settings to be anything special.
I was a bit concerned at first when I connected it up to a Mac running Resolve, that it was doing a centre crop of all footage. This was due to the fact that my timeline was
When I first got it, I figured it would work great for 4K timelines – that it would simply downscale it upon output without requiring project settings to be anything special.
I was a bit concerned at first when I connected it up to a Mac running Resolve, that it was doing a centre crop of all footage. This was due to the fact that my timeline was 4K.
Whilst downscaling was not an advertised feature of this, one would expect it to work that way as getting a centre crop of your timeline (or source footage) is not very useful, and I was ready to return it.
However, Resolve allows you to configure Output and Monitoring settings separately from Timeline resolution. Whilst I was not able to fix it by changing Monitoring settings, it does downscale the footage and display correctly when you change output to 1080p.
This gets quite annoying when your deliverable is above 1080p, as you need to manually toggle back the resolution of Output in Timeline Settings.
The build quality of the device is great – just like other BlackMagic devices with a similar form factor.
You will also need to provide your own Thunderbolt 3 or 4 cable to connect it up to your computer – one is not provided. This tends to be expected with BlackMagic gear, as none of my other Blackmagic products came with either Thunderbolt nor USB-C cabling.
This was fine, I already had a couple of Thunderbolt cables lying around, but it *is* an extra expense that you will need to take into account if on a shoestring budget.
Note: My grading display takes in HDMI, I do not know whether the downscale/settings issue is any different for SDI, though I have no reason to think it would be. Additionally, I only tried this on Resolve Studio 18.x versions, I do not know about 19 Beta which is out at time of writing nor about non-Studio version of Resolve nor any other supported NLE.
Conclusion: this is great - as long as your Timeline is 1080p or you are fine toggling Timeline settings in Resolve down to 1080p.
It would be a 5/5 product, but it loses one star for this issue, as well as for needing to restart Resolve to get it working after connecting it up and selecting it as the output device (and also the minor issue of the lack of cable provided).
after using the decklink for many years in our Mac pro 5.1, when we upgraded our systems to mac studio's, we needed a new video play out in a compact form.
This is perfect for the job, as we use both the HDMI and the SDI out.
