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+25 dB dla mikrofonów dynamicznych lub pasywnych mikrofonów wstęgowych
Możliwość użycia z przedwzmacniaczami mikrofonowymi ze standardowym zasilaniem fantomowym na konsolach mikserskich / przedwzmacniaczach / interfejsach audio z wejściem mikrofonowym
Wymaga zasilania fantomowego
Wejście i wyjście XLR
Metalowa obudowa
W zestawie pasek do mocowania na statywie mikrofonowym
Informacja: Aby opinie na temat sprzętu umieszczane na naszej stronie pochodziły jedynie od osób mających styczność z danym artykułem, umożliwiamy wystawianie ocen jedynie naszym klientom.
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Robi do czego zostal stworzony, nie wplywa na jakosc nagrania, czysty boost gainu jak w opisie! Uzywam z Shure SM7B i UA Apollo Twin i sprawdza sie idealnie. Do tego bardzo solidnie i masywnie wykonany!
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MW
Pretty Good, but far from what people say
Matt Walker 21.05.2024
So Ive been using it for 2 years now with my Shure sm7b and scarlet 2i2 3rd gen, everyone recommended cloudlifter as the best booster. Its does it job but why do they call it "Clean Gain" no clue... Its not clean at all it gives static noise as soon as i plug it in, the same issue is with vocaster one. It gives me alot of boost indeed but the noise is bigger than interface itself on 85% gain. Its not a biggie it can be cleaned in post production but still they shouldent call it clean gain then.
So Ive been using it for 2 years now with my Shure sm7b and scarlet 2i2 3rd gen, everyone recommended cloudlifter as the best booster. Its does it job but why do they call it "Clean Gain" no clue... Its not clean at all it gives static noise as soon as i plug it in, the same issue is with vocaster one. It gives me alot of boost indeed but the noise is bigger than
So Ive been using it for 2 years now with my Shure sm7b and scarlet 2i2 3rd gen, everyone recommended cloudlifter as the best booster. Its does it job but why do they call it "Clean Gain" no clue... Its not clean at all it gives static noise as soon as i plug it in, the same issue is with vocaster one. It gives me alot of boost indeed but the noise is bigger than interface itself on 85% gain. Its not a biggie it can be cleaned in post production but still they shouldent call it clean gain then.
My Cloudlifter CL-1 helps me get clean gain for dynamic microphones which I use in a demanding office/studio environment.
I use dynamic microphones like the Shure SM7B and RE20 to cope better with unavoidable equipment noise and outside/traffic noise that I otherwise need a sound booth to eliminate. I use prosumer audio interfaces which can "just" bring the signal in from my dynamic microphones, but even though I use a dbx 286 S microphone processor which can arguably power something like a Shure SM7B, I know that my Cloudlifter can reduce the load on either of my audio interfaces and this eliminates the risk of hiss which comes with maximum gain when using any audio interface. Using a Cloudlifter, my signal is clean every time.
The Cloudlifter is a plug and "forget" device which does its job invisibly without any configuration in the background. Sometimes the best equipment is the hardware you have to remind yourself that you own, and a Cloudlifter is definitely a silent hero.
Occasionally, I have used the Cloudlifter with my Zoom H5 portable recorder when I have been on the road with my dynamic microphones, and the Cloudlifter has done everything I would hope for. I had not anticipated this functionality, and I am glad to have it.
There are alternatives to Cloudlifter, some of which are less cumbersome and really are not much more intrusive than the XLR cables they interface. The hardest thing about the Cloudlifter is deciding on your cable length/configuration to figure out where to put the device.
Cloudlifters seem a little expensive and you have to add that to the cost of a dynamic microphone. There are less expensive alternatives in the market though, and if Cloudlifter is the standard you want, then the price is something you live with.
My Cloudlifter CL-1 helps me get clean gain for dynamic microphones which I use in a demanding office/studio environment.
I use dynamic microphones like the Shure SM7B and RE20 to cope better with unavoidable equipment noise and outside/traffic noise that I otherwise need a sound booth to eliminate. I use prosumer audio interfaces which can "just" bring the
My Cloudlifter CL-1 helps me get clean gain for dynamic microphones which I use in a demanding office/studio environment.
I use dynamic microphones like the Shure SM7B and RE20 to cope better with unavoidable equipment noise and outside/traffic noise that I otherwise need a sound booth to eliminate. I use prosumer audio interfaces which can "just" bring the signal in from my dynamic microphones, but even though I use a dbx 286 S microphone processor which can arguably power something like a Shure SM7B, I know that my Cloudlifter can reduce the load on either of my audio interfaces and this eliminates the risk of hiss which comes with maximum gain when using any audio interface. Using a Cloudlifter, my signal is clean every time.
The Cloudlifter is a plug and "forget" device which does its job invisibly without any configuration in the background. Sometimes the best equipment is the hardware you have to remind yourself that you own, and a Cloudlifter is definitely a silent hero.
Occasionally, I have used the Cloudlifter with my Zoom H5 portable recorder when I have been on the road with my dynamic microphones, and the Cloudlifter has done everything I would hope for. I had not anticipated this functionality, and I am glad to have it.
There are alternatives to Cloudlifter, some of which are less cumbersome and really are not much more intrusive than the XLR cables they interface. The hardest thing about the Cloudlifter is deciding on your cable length/configuration to figure out where to put the device.
Cloudlifters seem a little expensive and you have to add that to the cost of a dynamic microphone. There are less expensive alternatives in the market though, and if Cloudlifter is the standard you want, then the price is something you live with.
