Dzięki naszym plikom cookie chcielibyśmy zaoferować najlepsze możliwe doświadczenia zakupowe wraz ze wszystkim, co się z tym wiąże. Obejmuje to na przykład odpowiednie oferty, spersonalizowane reklamy i zapamiętywanie preferencji. Jeśli Ci to odpowiada, po prostu udziel zgody na używanie plików cookie do preferencji, statystyk i marketingu, klikając „W porządku!” (pokaż wszystko) Zgodę można wycofać w dowolnym momencie za pośrednictwem ustawień plików cookie (here)
Informacja: Aby opinie na temat sprzętu umieszczane na naszej stronie pochodziły jedynie od osób mających styczność z danym artykułem, umożliwiamy wystawianie ocen jedynie naszym klientom.
Opinie można wystawiać po zalogowaniu się w centrum klienta, używając opcji "wystaw opinię".
Great Sounding mouthpiece. Has a full nice tone with the right amount of edge. Great For contemporary jazz and every other style.
Great thing about it is This mouthpiece is very consistent. Every one I ordered played the same
Holy Shizzle, did I just make a deal with the devil?! The second I started playing with this mouthpiece I got goosebumps all over. My Keilwerth The New King II and I instantly blended together. It grabbed my hands and all my troubles seemed so far away. Vanished really. The story of Robert Johnson immediately came to mind. Without any effort, playing the high and low register almost simultaneously. How is this possible?! So smooth. And the dynamic range is crazy. It leaves a lot of room to concentrate on the flow of playing, especially when it comes to improvisation. It’s almost like the saxophone is playing itself. It might even be playing me... I tell you, some crazy stuff is going on.
PS
I’m using the Rovner Dark Tenor Sax 2R ligature plus D’Addario Select Jazz Unfiled 3S reeds. What a combination this is, my my.
Holy Shizzle, did I just make a deal with the devil?! The second I started playing with this mouthpiece I got goosebumps all over. My Keilwerth The New King II and I instantly blended together. It grabbed my hands and all my troubles seemed so far away. Vanished really. The story of Robert Johnson immediately came to mind. Without any effort, playing the high and low
Holy Shizzle, did I just make a deal with the devil?! The second I started playing with this mouthpiece I got goosebumps all over. My Keilwerth The New King II and I instantly blended together. It grabbed my hands and all my troubles seemed so far away. Vanished really. The story of Robert Johnson immediately came to mind. Without any effort, playing the high and low register almost simultaneously. How is this possible?! So smooth. And the dynamic range is crazy. It leaves a lot of room to concentrate on the flow of playing, especially when it comes to improvisation. It’s almost like the saxophone is playing itself. It might even be playing me... I tell you, some crazy stuff is going on.
PS
I’m using the Rovner Dark Tenor Sax 2R ligature plus D’Addario Select Jazz Unfiled 3S reeds. What a combination this is, my my.
Good quality of the product. Perfect for a "classic" jazz setting : can do everything around jazz. Easy to play, OK for subtones, high notes, ... Warm and wide sound that you can modify, turn it bright and loud when you push it. The ratio price for quality seems to me very good. Personaly I like to often change my mouthpieces and everytime I go back to this one I enjoy it. It became my reference standard to evaluate my own sound or other mouthpieces. Keep in mind that is not an outstanding MPC that brings you in a unique way but a very good friend whose following you whatever the path :)
Note that the 7 is warmer and wider than the 6 opening.
Good quality of the product. Perfect for a "classic" jazz setting : can do everything around jazz. Easy to play, OK for subtones, high notes, ... Warm and wide sound that you can modify, turn it bright and loud when you push it. The ratio price for quality seems to me very good. Personaly I like to often change my mouthpieces and everytime I go back to this one I
Good quality of the product. Perfect for a "classic" jazz setting : can do everything around jazz. Easy to play, OK for subtones, high notes, ... Warm and wide sound that you can modify, turn it bright and loud when you push it. The ratio price for quality seems to me very good. Personaly I like to often change my mouthpieces and everytime I go back to this one I enjoy it. It became my reference standard to evaluate my own sound or other mouthpieces. Keep in mind that is not an outstanding MPC that brings you in a unique way but a very good friend whose following you whatever the path :)
Note that the 7 is warmer and wider than the 6 opening.
This is an excellent jazzy sounding very free blowing mouthpiece. So free-blowing that you might want to use your air wisely. With this mouthpiece you can play either bright or dark. Lovely sound with a lot of power.