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Rewelacyjny PAR, który za niewielka cene robi swietna robote. Posiadam 8szt. Swietnie sprawdzaja sie zarówno na rampie, jak i do dekoracji swiatlem. polecam zdecydowanie.
These flood panels are compact and lightweight. Moreover, they conveniently fold flat; therefore making it easily and practical to carry around.
Unlike traditional floods of a similar size and power, which as we all know can become very hot and emit a lot of unwanted heat, the LEDs on these flood panels remain cool even after hours of operation. Their metal enclosure only becomes warm to the touch. This makes them ideal for smaller venues where space is limited and where the lights tend to be placed close to the performers on the stage.
Compared to their 40° counterpart, this 20° unit produces a better overall effect since it distributes the light better overall, allowing you to place it closer to a wall. being in a band which has tended to play smaller venues, I would recommend having a mix of both version - 20° and 40°.
Final verdict: A definite yes!
These flood panels are compact and lightweight. Moreover, they conveniently fold flat; therefore making it easily and practical to carry around.
Unlike traditional floods of a similar size and power, which as we all know can become very hot and emit a lot of unwanted heat, the LEDs on these flood panels remain cool even after hours of operation. Their metal
These flood panels are compact and lightweight. Moreover, they conveniently fold flat; therefore making it easily and practical to carry around.
Unlike traditional floods of a similar size and power, which as we all know can become very hot and emit a lot of unwanted heat, the LEDs on these flood panels remain cool even after hours of operation. Their metal enclosure only becomes warm to the touch. This makes them ideal for smaller venues where space is limited and where the lights tend to be placed close to the performers on the stage.
Compared to their 40° counterpart, this 20° unit produces a better overall effect since it distributes the light better overall, allowing you to place it closer to a wall. being in a band which has tended to play smaller venues, I would recommend having a mix of both version - 20° and 40°.
I already own the 40° version of the Stairville LED Flood Panel 150 unit. A pair of these units together makes a very effective, low-cost, lightweight and easy lighting rig for solo or duo musicians in a small venue or for a band if there is no room to set up a full size rig. The only difference between this 20° unit and the 40° unit is that the spread of light is greater on the 40° version, so it can be closer to a wall if the light is being reflected off it. I think the 40° version is probably more suitable for band stagelights, but having one of each probably makes a more versatile setup.
The LEDs stay cool in use and the casing only gets very slightly warm in use. This is a great benefit over lights with traditional bulbs which can radiate a lot of heat and cause the performers to get uncomfortably hot.
I already own the 40° version of the Stairville LED Flood Panel 150 unit. A pair of these units together makes a very effective, low-cost, lightweight and easy lighting rig for solo or duo musicians in a small venue or for a band if there is no room to set up a full size rig. The only difference between this 20° unit and the 40° unit is that the spread of light is
I already own the 40° version of the Stairville LED Flood Panel 150 unit. A pair of these units together makes a very effective, low-cost, lightweight and easy lighting rig for solo or duo musicians in a small venue or for a band if there is no room to set up a full size rig. The only difference between this 20° unit and the 40° unit is that the spread of light is greater on the 40° version, so it can be closer to a wall if the light is being reflected off it. I think the 40° version is probably more suitable for band stagelights, but having one of each probably makes a more versatile setup.
The LEDs stay cool in use and the casing only gets very slightly warm in use. This is a great benefit over lights with traditional bulbs which can radiate a lot of heat and cause the performers to get uncomfortably hot.
We bought 2 of these to sit on the lighting Ts each side of the band to spotlight our singer. The 20° version is ideal for this job as the spread of light is not too big. If you want a larger spread get the 40° version. Light output is adequate for small to medium stages, but bare in mind these are only 18 watt units. Colour mixing is good but the white is (as with all 3 colour LEDs) very cold. If you want a white spot, look elsewhere. Construction is adequately robust. In and out mains sockets are a valuable facility. DMX control is very easy to set up. The price is a give away.
We bought 2 of these to sit on the lighting Ts each side of the band to spotlight our singer. The 20° version is ideal for this job as the spread of light is not too big. If you want a larger spread get the 40° version. Light output is adequate for small to medium stages, but bare in mind these are only 18 watt units. Colour mixing is good but the white is (as with
We bought 2 of these to sit on the lighting Ts each side of the band to spotlight our singer. The 20° version is ideal for this job as the spread of light is not too big. If you want a larger spread get the 40° version. Light output is adequate for small to medium stages, but bare in mind these are only 18 watt units. Colour mixing is good but the white is (as with all 3 colour LEDs) very cold. If you want a white spot, look elsewhere. Construction is adequately robust. In and out mains sockets are a valuable facility. DMX control is very easy to set up. The price is a give away.