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Mikrofon ma własne mocowanie dzięki czemu nie jest potrzebny dodatkowy statyw, a miejsca wokół perkusji jest więcej. Ma też doskonałe brzmienie tomów i werbla. Sam mikrofon jest wykonany bardzo starannie, czuć po pierwszym dotknięciu że ma się do czynienia z wysoką półką.
A fine drums and instrument mic with versatile mounting
BernieW 22.06.2022
I've always liked EV mics. Less bass and proximity effect than the ND46 and is much less bulky, best suited to rack toms, off-axis response surprisingly clear and full-range for a dynamic. Like the ND46 has better high freq. and off-axis response than most dynamics. Great clarity and transient detail for any non-electric instruments. Very effective over violin, viola and other strings, also woodwinds or brass section, select the ND46 for deeper bass instruments. Good on clean guitar tones eg jazz. Has one of the best rim mounts included that fits different sized hoops and is easy to use. It would be wise to order it with the SAND-1 stand adapter for other instruments, it's provided with the rim mount only. Combined with the swivel head allows very flexible mounting in tight spaces. Useful alternative on snare, from soft brushes to hard hitters with its detail and transients. Great performance for this price, clever design works in any space or position
I've always liked EV mics. Less bass and proximity effect than the ND46 and is much less bulky, best suited to rack toms, off-axis response surprisingly clear and full-range for a dynamic. Like the ND46 has better high freq. and off-axis response than most dynamics. Great clarity and transient detail for any non-electric instruments. Very effective over violin, viola
I've always liked EV mics. Less bass and proximity effect than the ND46 and is much less bulky, best suited to rack toms, off-axis response surprisingly clear and full-range for a dynamic. Like the ND46 has better high freq. and off-axis response than most dynamics. Great clarity and transient detail for any non-electric instruments. Very effective over violin, viola and other strings, also woodwinds or brass section, select the ND46 for deeper bass instruments. Good on clean guitar tones eg jazz. Has one of the best rim mounts included that fits different sized hoops and is easy to use. It would be wise to order it with the SAND-1 stand adapter for other instruments, it's provided with the rim mount only. Combined with the swivel head allows very flexible mounting in tight spaces. Useful alternative on snare, from soft brushes to hard hitters with its detail and transients. Great performance for this price, clever design works in any space or position
Great alternative to "the industry standard" on guitar and snare!
JesperJ 05.11.2022
Bought this to mic a snare drum - that's probably why you are considering it as well. It works great for that. It's a no-frills dynamic mic with a low noise-floor and a good sound across the spectrum. To me, it sounds better that the "industry standard" SM57 - it's just a little more hi-fi. Thus, I actually found that I also really like it in front of a guitar cabinat.
I can easily recommend it to those looking for a "mid-forward" microphone who aren't happy with the lo-fi qualities of an SM57.
Great mic for guitar and snare.
Bought this to mic a snare drum - that's probably why you are considering it as well. It works great for that. It's a no-frills dynamic mic with a low noise-floor and a good sound across the spectrum. To me, it sounds better that the "industry standard" SM57 - it's just a little more hi-fi. Thus, I actually found that I also really like it in front of a guitar
Bought this to mic a snare drum - that's probably why you are considering it as well. It works great for that. It's a no-frills dynamic mic with a low noise-floor and a good sound across the spectrum. To me, it sounds better that the "industry standard" SM57 - it's just a little more hi-fi. Thus, I actually found that I also really like it in front of a guitar cabinat.
I can easily recommend it to those looking for a "mid-forward" microphone who aren't happy with the lo-fi qualities of an SM57.
Este Microfone da série ND foi feito para soar na perfeição na tarola como no timbalão alto.
Para a tarola, se quiser dar mais corpo, basta 5 ou 6 db por volta dos 175Hz. Para o tom alto, nem é preciso fazer alguma Eq.
Não me parece ser muito adaptado para timbalões de 14'' ou 16''.
Deve ser por isto que o ND68 existe.
Isto dito, tem som muito linear e definido que encontra logo o seu lugar no meio do mix.
Este Microfone da série ND foi feito para soar na perfeição na tarola como no timbalão alto.
Para a tarola, se quiser dar mais corpo, basta 5 ou 6 db por volta dos 175Hz. Para o tom alto, nem é preciso fazer alguma Eq.
Não me parece ser muito adaptado para timbalões de 14'' ou 16''.
Deve ser por isto que o ND68 existe.
Isto dito, tem som muito linear e
Este Microfone da série ND foi feito para soar na perfeição na tarola como no timbalão alto.
Para a tarola, se quiser dar mais corpo, basta 5 ou 6 db por volta dos 175Hz. Para o tom alto, nem é preciso fazer alguma Eq.
Não me parece ser muito adaptado para timbalões de 14'' ou 16''.
Deve ser por isto que o ND68 existe.
Isto dito, tem som muito linear e definido que encontra logo o seu lugar no meio do mix.
