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Mój ulubiony naciąg na werbel. Brzmienie, którego nie da się pomylić z żadnym innym. Idealny do studia - daje mocne, skupione brzmienie z właściwą ilością ‚tonu’ werbla. Bardzo dobrze brzmi pod kompresorem.
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Best in class
patryk_st 20.10.2020
Lepszego naciągu nigdy nie kupiłem... i chyba nigdy nie kupię :) Polecam!
I absolutely love the controlled sound head and use it on almost all of my snares, from a 14"x6.5" Supraphonic (aluminium) to a 13"x6" Mapex (walnut) to a 14"x5.5" Premier (birch) to a 14"x6.5" WorldMax (brass).
I find that for about 80% of snare drums it's in the sweet spot between lively and dead. Not as bright and ringy as an ambassador or G1 can be, but not too dead like a pinstripe or emperor can be either. The CS also gives you a really fat sound when you play in the centre of the head — perfect for rock and pop live and in the studio. Since it's still single ply at the edges you can get the press roll feeling and ghost notes that are missing from a 2-ply head, and the "reggae rimshot" sound is still there too.
The only downside of the Controlled Sound is that the centre dot feels a little less 'bouncy' than the single-ply edges, and this means the rebound isn't consistent all over the head. I find I get used to it quite quickly, but it's worth bearing in mind if you're playing very soft music or like a highly responsive feel, or you're used to a G1/Ambassador.
But don't let that discourage you — the Controlled Sound is so good that it's now the head I try first on a new drum. Most of the time, it's all I need.
I absolutely love the controlled sound head and use it on almost all of my snares, from a 14"x6.5" Supraphonic (aluminium) to a 13"x6" Mapex (walnut) to a 14"x5.5" Premier (birch) to a 14"x6.5" WorldMax (brass).
I find that for about 80% of snare drums it's in the sweet spot between lively and dead. Not as bright and ringy as an ambassador or G1 can be, but
I absolutely love the controlled sound head and use it on almost all of my snares, from a 14"x6.5" Supraphonic (aluminium) to a 13"x6" Mapex (walnut) to a 14"x5.5" Premier (birch) to a 14"x6.5" WorldMax (brass).
I find that for about 80% of snare drums it's in the sweet spot between lively and dead. Not as bright and ringy as an ambassador or G1 can be, but not too dead like a pinstripe or emperor can be either. The CS also gives you a really fat sound when you play in the centre of the head — perfect for rock and pop live and in the studio. Since it's still single ply at the edges you can get the press roll feeling and ghost notes that are missing from a 2-ply head, and the "reggae rimshot" sound is still there too.
The only downside of the Controlled Sound is that the centre dot feels a little less 'bouncy' than the single-ply edges, and this means the rebound isn't consistent all over the head. I find I get used to it quite quickly, but it's worth bearing in mind if you're playing very soft music or like a highly responsive feel, or you're used to a G1/Ambassador.
But don't let that discourage you — the Controlled Sound is so good that it's now the head I try first on a new drum. Most of the time, it's all I need.
Used this on a few different snare drums and it's probably one of my favourite Remo heads. Nice and respnsive with plenty of attack. Being a single ply it's a bit more open then say an Emperor, but the dot helps to stop it becoming overly ringy like the ambassadors can be on some drums.
This head is my preferred choice for wood snare drums, which by nature can be a bit dry, so this helps give them some life.
For metal snares I like something a bit drier like a Powerstroke 3 or a Evans Genera dry as they tend to be a bit more ringy by nature so need something to control it. Though I'm sure the Remo CS would work great on metal snares with a bit of extra dampening using some moon gels or something similar.
One complaint I do have to make about Remo though is the quality of their coating. From my experience and that of many others recently it seems that the coating is flaking off very easily these days, with a few studio sessions enough to have the head looking absolutely wrecked compared to a coated head from Evans/Aquarian etc. For this reason I'd find it hard to recommend this head to anyone that's looking to play and gig alot and isn't able to afford regular head changes.
Used this on a few different snare drums and it's probably one of my favourite Remo heads. Nice and respnsive with plenty of attack. Being a single ply it's a bit more open then say an Emperor, but the dot helps to stop it becoming overly ringy like the ambassadors can be on some drums.
This head is my preferred choice for wood snare drums, which by nature
Used this on a few different snare drums and it's probably one of my favourite Remo heads. Nice and respnsive with plenty of attack. Being a single ply it's a bit more open then say an Emperor, but the dot helps to stop it becoming overly ringy like the ambassadors can be on some drums.
This head is my preferred choice for wood snare drums, which by nature can be a bit dry, so this helps give them some life.
For metal snares I like something a bit drier like a Powerstroke 3 or a Evans Genera dry as they tend to be a bit more ringy by nature so need something to control it. Though I'm sure the Remo CS would work great on metal snares with a bit of extra dampening using some moon gels or something similar.
One complaint I do have to make about Remo though is the quality of their coating. From my experience and that of many others recently it seems that the coating is flaking off very easily these days, with a few studio sessions enough to have the head looking absolutely wrecked compared to a coated head from Evans/Aquarian etc. For this reason I'd find it hard to recommend this head to anyone that's looking to play and gig alot and isn't able to afford regular head changes.
